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These four tracks are fresh, punchy and concise, proving that Flume is a force in the industry. Flume is capitalizing on his win Grammy win for Best Dance/Electronic Album good and proper, following up his winning Skin record with Skin Companion II. With a name like “Skin Companion EP II,” one might worry that he or she was about to listen to 16 minutes of throwaways and B-sides lacking anything that hadn’t already been said on “Skin” and “Skin Companion EP I.” Yet, that’s far from the case. While not quite as impressive as the EP’s first two tracks, “Fantastic” still manages to bring a strong end to this undoubtedly strong project. Flume takes this last opportunity to show off his sound design skills once again, utilizing an array of full-bodied synthesizers. The rhythm here is nothing short of infectious, and the vocal performance is understated without verging on boring. Dave of Glass Animals, a shuffling, complex piece of indie-electro that ends things with a quiet bang. However, there’s no shortage of interesting sounds to aurally observe here.įinally, we have “Fantastic” feat. Without too much change occurring throughout, it feels more like an interlude than anything else and, clocking in at five minutes long, seems to drag a bit. Moving us quickly into the latter half of the EP, “Depth Charge” stands as the lone featureless track.
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This is certainly one of those songs that feels like a journey – infinitely pleasant so you can just close your eyes and drift away. With no signs of ever slowing down, Flume is back with his new Skin Companion EP II, with a big win last year at the Grammys for his album Skin, it looks as though he is setting his sights on a repeat this year. His distinctive style is all over this track, as he once again beautifully compliments the featured artist – only this time with a much mellower, R&B-flavored vibe that demonstrates an impressive amount of range. Moses Sumney kicks off with some synth sounds that are instantly recognizable as Flume’s. Flume has outdone himself right off the bat, veering outside of his primary genre to craft an instrumental that is larger than life and aggressive as hell. Graciously sharing this tasting plate of tracks that were written around the same time as. Push is in peak form here, delivering one of his hottest verses in recent memory – replete with razor-sharp lyricism and effortless flows – over a beat that is just devastating. The famed Australian electronic producer recently won his first Grammy for Best Dance/Electronic Album with his sophomore album “Skin” and is keeping the momentum alive with a brand-new release, titled “Skin Companion EP II.” The four-track project makes great use of its short runtime, blending together genres while displaying a unique, masterful grasp on sound design.īanger, slapper, dinger … whatever you want to call a song that threatens to blow out your speakers while simultaneously contorting your face due to the sheer groove is what this EP’s opening track, “Enough” feat. It recently saw the artist pick up a Grammy award for the release. On the other hand, SKIN also sported some of his most left-field creations to date, such as his frigid, wonky collaboration with ethereal vocalist Kučka, “Numb & Getting Colder,” or the bonkers “Wall Fuck,” a track he intended to sound “like the fabric of the universe tearing.Flume has had a good start to 2017. Chart dominating, saccharine singles such as “Never Be Like You (featuring Kai)” and “Say It (featuring Tove Lo)” were two clear examples of his ability to assemble well-placed, sensitive rhythms and hooks under a couple of sweetly seductive pop crooners to compelling, radio-friendly success. this on dmt is all things beautiful in this world. His most recent full-length release, SKIN, saw the Australian artist culling from a wellspring of musical influences. flume Comment by Shawn studiosoundguy Solid af, standard flume vibe which is always solid- i have this on vinyl and it sounds fucking sick. His output may not speak to exactly the same type of Electric Daisy Carnival-driven crowds, but it’s hard to argue there isn’t some decent overlap with his recent surge in popularity. He recently claimed to not actually know what EDM is, let alone identify his music as Chainsmokers-esque, shimmering fluff.
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Flume, the alias of 25 year-old Harley Streten, is one such electronic musician that knows this all too well, and he’d rather you don’t simplify his work. Electronic music is getting harder and harder to neatly categorize these days.